Tuesday, December 8, 2020

Crisp Criticism - "Tenet", "Never Rarely Sometimes Always", "First Cow", "Love Wedding Repeat", "Young Ahmed", "The Booksellers", "The Assistant", "The Whistlers", "Tigertail", "We Summon the Darkness"

by

Julien Faddoul








Tenet *

 

Armed with only one word, Tenet, and fighting for the survival of the entire world, a Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time.

As evidenced here by his clumsy script and typically self-conscious thematic juxtapositions, I think it’s safe to say that at this point in his career Nolan only cares about being seen as a master of cinematic momentum and no longer holds any interest in character or emotional subject matter. Contempo accusations that the film is difficult to follow bewilder me, since its sci-fi plot is so juvenile and empty-headed as to be completely unambiguous. Certain action set-pieces are marvellously choreographed, but at 150 minutes much of this is not only embarrassing but revealingly old-hat. How can one champion big-budget modern original storytelling when the art is aimed at the same age group as comic book adaptations?

 

wd – Christopher Nolan

ph – Hoyte Van Hoytema

pd – Nathan Crowley

m – Ludwig Göransson

ed – Jennifer Lame

cos – Jeffrey Kurland

 

p – Christopher Nolan, Emma Thomas

 

Cast: John David Washington, Robert Pattinson, Elizabeth Debicki, Kenneth Branagh, Dimple Kapadia, Himesh Patel, Aaron Taylor-Johnson, Michael Caine, Clémence Poésy, Martin Donovan

 







Never Rarely Sometimes Always **

 

A pair of teenage girls in rural Pennsylvania travel to New York City to seek out medical help after an unintended pregnancy.

Way too contrived to be wholly successful, relying on enigmatic motivation, suggestive bits of behaviour and a truncated timetable to convey the stressful hoops disadvantaged young girls have to jump through in order to enact what is legally their right. But Hittman’s penchant for guerrilla filmmaking (shot in 16mm) is energizing and Flanigan gives an excellent performance, especially in the sequence that gives the film its title.

 

wd – Eliza Hittman

ph – Hélène Louvart

pd – Meredith Lippincott

m – Julia Holter

ed – Scott Cummings

cos – Olga Mill

 

p – Alex Orlovsky, Tim Headington, Elika Portnoy, Adele Romanski, Rose Garnett, Sara Murphy, Lia Buman

 

Cast: Sidney Flanigan, Talia Ryder, Théodore Pellerin, Ryan Eggold, Sharon Van Etten









First Cow ***

 

A skilled cook has traveled west and joined a group of fur trappers in Oregon, though he only finds true connection with a Chinese immigrant also seeking his fortune. Soon the two collaborate on a successful business.

Part capitalist allegory, part dissection on America’s mournful past, part bittersweet characterization of a friendship between two ostracized strangers. Shot in 1.33:1, which beautifully emphasises the framing of the characters. Reichardt’s tempo is slow, but her humanity proves irresistible. 

 

d – Kelly Reichardt

w – Kelly Reichardt, Jonathan Raymond   (Based on the Novel by Jonathan Raymond)

ph – Christopher Blauvelt

pd – Anthony Gasparro

m – William Tyler

ed – Kelly Reichardt

cos – April Napier

 

p – Neil Kopp , Vincent Savino, Anish Savjani

 

Cast: John Magaro, Orion Lee, Toby Jones, Ewen Bremner, Scott Shephard, Gary Farmer, Lily Gladstone, René Auberjonois, Alia Shawkat




 

 


Love Wedding Repeat

 

While trying to make his sister’s wedding day go smoothly, a man finds himself juggling an angry ex-girlfriend, an uninvited guest with a secret, a misplaced sleep sedative, and the girl that got away in alternate versions of the same day.

Terrible, aggressively unfunny remake of a french farce with the objective being the charm of a Richard Curtis film. Unless one finds penis jokes to be unequivocally hilarious, stay away.

 

wd – Dean Craig   (Based on the Screenplay by Francis Nief, Christelle Raynal)

ph – Hubert Taczanowski

pd – Alessandra Querzola

ed – Christian Sandino-Taylor

cos – Uliva Pizzetti

 

p – Guglielmo Marchetti, Piers Tempest

 

Cast: Sam Claflin, Olivia Munn, Eleanor Tomlinson, Freida Pinto, Joel Fry, Jack Farthing, Allan Mustafa, Tim Key







Young Ahmed **

 

A Belgian teenager hatches a plot to kill his teacher after embracing an extremist interpretation of the Quran.

Somewhat psychologically confusing Dardenne parable, despite their always assured staging and cutting. In the end, the choice by the Belgium brothers to centre their morality fable on the radicalization of a 13-year-old Muslim seems to be not the innapproiate choice, but rather the uninteresting one.

 

wd – Jean-Pierre Dardenne, Luc Dardenne

ph – Benoît Dervaux

pd – Igor Gabriel

ed – Marie-Hélène Dozo, Tristan Meunier

cos – Maïra Ramedhan Levi

 

p – Denis Freyd, Jean-Pierre Dardenne, Luc Dardenne

 

Cast: Idir Ben Addi, Olivier Bonnaud, Myriem Akeddiou, Victoria Bluck, Claire Bodson, Othmane Moumen, Amine Hamidou








The Booksellers **

 

A behind-the-scenes look at the New York rare book world.

Perfectly lovely documentary that covers the waterfront of the New York antiquated book world. It focuses, in a gracious and clear-eyed manner, on people who value the preservation of the tangible aesthetic object.

 

d – DW Young

ph – Peter Bolte 

m – David Ullman

ed – DW Young

 

p – Parker Posey, Dan Wechsler, DW Young, Judith Mizrachy

 

Cast: Parker Posey, Fran Lebowitz, Gay Talese, Susan Benne, David Bergman








The Assistant **

 

An assistant to a powerful New York film executive becomes aware of the insidious system designed to allow him to bully and sexually abuse his actresses.

Well acted, topical feminist statement that ultimately can’t conceal its overall didactism, something that would attenuate it as a work of fiction cinema, as opposed to, say, an editorial. It’s clear from both tempo and content (in focusing on its central character’s menial chores) that Green is going for something as obliterating as Chantal Ackerman’s Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975), but her formal chops just aren’t there yet.

 

wd – Kitty Green

ph – Michael Latham

pd – Fletcher Chancey

m – Tamar-kali

ed – Kitty Green, Blair McClendon

cos – Rachel Dainer-Best

 

p – James Schamus, Scott Macaulay, Ross Jacobson, P. Jennifer Dana, Kitty Green

 

Cast: Julia Garner, Matthew Macfadyen, Makenzie Leigh, Kristine Froseth, Jon Orsini, Noah Robbins

 







The Whistlers **

 

A Romanian police officer, determined to free from prison a crooked businessman who knows where a mobster’s money is hidden, must learn the difficult ancestral whistling language (Silbo Gomero) used on the island of Gomera.

Atypical aesthetic from the Romanian New Wave (if not the subject matter) with Porumboiu haphazardly jumping back and forth to invigorate the double-crosses and circumventions. Ultimately, there’s nothing about the plot nor the presentation to distinguish it from any modern-day European police producedal, but it remains engaging throughout.

 

wd – Corneliu Porumboiu

ph – Tudor Mircea

pd – Simona Paduretu

ed – Roxana Szel

cos – Dana Paparuz

 

p – Marcela Ursu, Patricia Poienaru

 

Cast: Vlad Ivanov, Catrinel Marlon, Rodica Lazăr, Sabin Tambrea, Agustí Villaronga, István Téglás, Antonio Buil Pueyo







Tigertail *


A Taiwanese factory worker leaves his homeland to seek opportunity in America, where he struggles to find connection while balancing family and newfound responsibilities.

Unsatisfactory illustration of cultural adjustments and the past tribulations that parents keep from their children through emotional ambiguity. In an age before streaming, this would have been relegated to TV-movie status.

 

wd – Alan Yang

ph – Nigel Bluck

pd – Amy Williams

ed – Daniel Haworth

cos – Olga Mill

 

p – Poppy Hanks, Charles D. King,  Kim Roth, Alan Yang

 

Cast: Tzi Ma, Christine Ko, Lee Hong Chi, Hayden Szeto, Kunjue Li, Fiona Fu, James Saito, Joan Chen, Yo-Hsing Fang, Raymond Ma


 





We Summon the Darkness

 

Three best friends attending a heavy-metal show cross paths with sadistic killers after they travel to a secluded country home for an after party.

A horror-satire that is neither scary nor funny and with a fundamentally dishonest plot twist that makes no sense within the context of the world that the film sets up.

 

d – Marc Meyers

w – Alan Trezza

ph – Tarin Anderson

pd – Kathy McCoy

m – Tim Williams

ed – Jamie Kirkpatrick, Joe Murphy

cos – Maxyne Baker

 

p – Jeff Beesley, Jarod Einsohn, Thomas E. van Dell, Mark Lane, Kyle Tekiela

 

Cast: Alexandra Daddario, Maddie Hasson, Amy Forsyth, Johnny Knoxville, Keean Johnson, Logan Miller

 




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