by
Julien Faddoul
5. Beyond
the Hills – Cristian Mungiu
For an
austere but deeply composed allegorical investigation.
4. August:
Osage County – Tracy Letts
For the
savagery we loved. Unlike most critics, I believed his screen piece retained
the ardent nobility of his stage piece.
3.
12 Years a Slave – John Ridley
For
his (along with his director's) interest in not only the horror but also the
mechanics. The physical violence is imperative, but it was the pettiness of a
nation that allowed the sin to occur.
2.
No – Pedro Peirano
For
taking a rather wishy-washy David vs. Goliath proposition and creating a most
dynamic thriller with some of the most astute confabulations of the year.
1.
The Wind Rises – Hayao Miyazaki
For
having precise control over the aesthetic shifts into both melodrama and dream
logic. It's maybe the greatest biopic since Raging Bull.
Runner
Up: From Up on Poppy Hills – Hayao
Miyazaki, Keiko Niwa
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