by
Julien Faddoul
Trainwreck
Having
thought that monogamy was never possible, a commitment-phobic career woman may
have to face her fears when she meets a good guy.
An overrated and judgmental film: It
presumes a kind of conceited approach to its main character’s arc and its
supporting characters’ view of her, relaying it as some kind of feminism
despite none of it fitting any textbook example of the term. It expects its
audience to follow its viewpoint around like dogs for fear of feeling stupid,
all the while forgetting that in the cinema everything is about context. All
this along with the gross over-length, flat humor and superfluous celebrity
cameos typical of its director.
d
– Judd Apatow
w
– Amy Schumer
ph
– Jody Lee Lipes
pd
– Kevin Thompson
m
– Jon Brion
ed
– William Kerr, Peck Prior, Paul Zucker
cos
– Leesa Evans
p
– Judd Apatow, Barry Mandel
Cast:
Amy Schumer, Bill Hader, Brie Larson, Colin Quinn, Vanessa Bayer, Tilda Swinton,
LeBron James, Mike Birbiglia, John Cena, Dave Attell, Norman Lloyd, Ezra Miller,
Daniel Radcliffe, Marisa Tomei, Jon Glaser, Randall Park, Evan Brinkman, Pete
Davidson, Tim Meadows, Kyle Dunnigan, Amar'e Stoudemire, Matthew Broderick,
Marv Albert, Leslie Jones
Mission: Impossible –
Rogue Nation
**
Ethan
and team take on the Syndicate – an International rogue organization as highly
skilled as they are, committed to destroying the IMF.
More plot-oriented than any previous film
in the franchise, which is an issue due to the expected absurdity of it all. It
delivers some exhilarating set-pieces, but it runs out of steam before the
end.
d
– Christopher McQuarrie
w
– Christopher McQuarrie, Drew Pearce
(Based on the Television Series by Bruce Geller)
ph
– Robert Elswit
pd
– James D. Bissell
m
– Joe Kraemer
ed
– Eddie Hamilton
cos
– Joanna Johnston
p
– J.J. Abrams, Bryan Burk, Tom Cruise, David Ellison
Cast:
Tom Cruise, Jeremy Renner, Simon Pegg, Rebecca Ferguson, Ving Rhames, Sean
Harris, Alec Baldwin, Simon McBurney, Jingchu Zhang, Tom Hollander, Jens Hultén
A Pigeon Sat on a Branch
Reflecting on Existence **
Two
hapless novelty salesmen embark on a tour of the human condition in reality and
fantasy that unfold in a series of absurdist episodes.
Andersson has pretty well exhausted
his approach to human annotation by now, this being the third in a supposed
trilogy, with only 39 camera set-ups and characters and situations that lack
any kind of verisimilitude. Some sequences are breathtaking, but the commentary
remains slight.
wd
– Roy Andersson
ph
– István Borbás, Gergely Pálos
m
– Hani Jazzar, Gorm Sundberg
ed
– Alexandra Strauss
cos
– Julia Tegstrom
p
– Pernilla Sandström
Cast:
Holger Andersson, Nisse Vestblom, Viktor Gyllenberg, Lotti Törnros, Jonas
Gerholm, Ola Stensson
Da Sweet Blood of Jesus **
Two
rich people become addicted to blood.
A cinematic alloy of its director’s
susceptibilities, remaking the 1973 Blaxploitation film Ganja & Hess with
funding from the global crowd funding platform Kickstarter. Part of it is
inspired, part of it is embarrassing and much of it is disgusting.
d
– Spike Lee
w
– Spike Lee, Bill Gunn
ph
– Daniel Patterson
pd
– Kay Lee
m
– Burce Hornsby
ed
– Randy Wilkins
cos
– Ruth E. Carter
p
– Spike Lee, Chiz Schultz
Cast:
Felicia Pearson, Zaraah Abrahams, Elvis Nolasco, Steven Hauck, Stephen Tyrone
Williams, Lauren Macklin, Rami Malek
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