by
Julien Faddoul
Doctor
Strange *
After his
career is destroyed, a brilliant but arrogant surgeon gets a new lease on life
when a sorcerer takes him under his wing and trains him to defend the world
against evil.
Stunning
visual effects and an energetic cast help enliven the latest Marvel episode to
a moderate level of distinction from its relatives. But, ultimately, it remains
a Marvel movie and therefore suffers from incoherent fight scenes, dull
villains, rampant sarcasm and a metaphysical logic that completely falls apart
if one comprehends it for longer than 10 seconds.
d – Scott Derrickson
w – Jon Spaihts,
Scott Derrickson, C. Robert Cargill (Based on the Comic Book by Stan Lee, Steve
Ditko)
ph – Ben Davis
pd – Charles Wood
m – Michael
Giacchino
ed – Sabrina
Plisco, Wyatt Smith
cos – Alexandra
Byrne
p – Kevin Feige
Cast: Benedict Cumberbatch, Tilda Swinton,
Chiwetel Ejiofor, Rachel McAdams, Mads Mikkelsen, Benedict Wong, Benjamin
Bratt, Michael Stuhlbarg, Scott Adkins
Julieta **
After a casual
encounter, a brokenhearted woman decides to confront her life and the most
important events about her stranded daughter.
A retreat to
distingué drama for Almodovar after a 10-year caesura of disparate interests. He
implements his usual mix of Hitchcockian pacing, maternal discomposure,
moralistic guilt and meticulous mise-en-scène, but offers really nothing new
that his oeuvre hasn’t already covered.
wd – Pedro
Almodovar (Based on the Short Stories by
Alice Munro)
ph – Jean-Claude Larrieu
pd – Antxón Gómez
m – Alberto
Iglesias
ed – Jose
Salcedo
cos – Sonia
Grande
p – Agustín Almodóvar, Esther García
Cast: Emma Suárez, Adriana Ugarte, Daniel Grao,
Inma Cuesta, Michelle Jenner, Darío Grandinetti, Rossy de Palma, Nathalie Poza
Take Me
to the River *
A naive
California gay teen plans to remain above the fray at his Nebraskan family
reunion, but a disturbing incident places him at the center of a long-buried
family secret.
Ambiguity as
an end rather than as a means: Taking on the now rampantly chic approach to
low-budget filmmaking in which layers of sticky awkwardness are slowly
undressed through characters’ refusal to speak freely. And once the big twist
is revealed, which, if taken literally, is utterly incongruous, it doesn’t in
the least distinguish the film from countless other mopey indies about
dysfunctional families.
wd – Matt Sobel
ph – Thomas Scott Stanton
pd – Margaret Ruder
ed – Jacob
Secher Schulsinger
cos – Rebecca
Luke
p – Matt Sobel
Cast: Logan Miller, Robin Weigert, Josh Hamilton,
Richard Schiff, Ursula Parker, Azura Skye, Ashley Gerasimovich, Elizabeth Franz,
Seth Young, Amy Hostetler
Certain
Women **
Three separate
stories, each about female alienation and heartache.
Told in
triptych, with each story only having the faintest of connections, it is
typical of its director’s quiet, academic, observational approach. It gains
immeasurably from its third story, which is so affecting that one wishes it
could’ve been its own film.
wd – Kelly
Reichardt (Based on the Short Stories by
Maile Meloy)
ph – Christopher Blauvelt
pd – Anthony Gasparro
m – Jeff Grace
ed – Kelly
Reichardt
cos – April
Napier
p – Neil Kopp, Vincent Savino, Anish Savjani
Cast: Laura Dern, Michelle Williams, Kristen Stewart,
Lily Gladstone, James Le Gros, Jared Harris, Rene Auberjonois, John
Getz, Sara Rodier
No comments:
Post a Comment