by
Julien Faddoul
5. Good Time – Josh Safdie, Ben Safdie
For pushing their aesthetic
to its riskiest point and creating their best film so far. Whether you find
them problematic or not, their narrative aptitude is certainly distinct.
4. Nocturama – Bertrand Bonello
For an intense,
disturbing and, in many ways, dislikable film: partly because Bonello’s
aesthetic has always been subtly exhibitionistic and partly because that very
expression, in dealing with this subject matter, teeters on trivialization. As
a piece of cinema, it is immaculately done and impossible to ignore.
3. Call Me by
Your Name – Luca Guadagnino
For
his most mature work to date, dialing down his showboating tendencies (which
have never worked for me) and revealing himself as a benevolent humanist.
2. A Quiet Passion – Terence Davies
For his best film
since The Long Day Closes (1992). His
meticulousness is unmatched in cinema today and the day he hangs it up will be
a sad one.
1. The Florida
Project – Sean Baker
For
two meritorious accomplishments: His compositional aptitude and his empathy.
Baker is essentially the Dafoe character here, always empathizing with the
struggle of his characters yet still exasperated with their choices/behaviour
in a way that never lets them off the hook. With this film, he cements his
position in cinema as a singular voice.
Runner Up: Lady Bird – Greta
Gerwig
To return to the main
awards page, CLICK HERE.
No comments:
Post a Comment