Sunday, February 28, 2016

The 2015 Cinema Touch Awards - DIRECTOR

by
Julien Faddoul








5. Creed – Ryan Coogler
For trusting his audience so fervidly with his cadence. In acknowledging his clichés, he dodges them.







4. It Follows – David Robert Mitchell
For a tremendous trundle of rhythmic aptitude and allegorical savoir-faire. No one else this year gained my trust quicker.







3. Carol – Todd Haynes
For his brilliant intellectual eye, his fierce guiding hand and his amaranthine heart.





2. Mad Max: Fury Road – George Miller
For acquiring the fastidious temperament that was compulsory for his animated films and beautifully infusing it in a glorious assemblage of pace, pitch and practice. Masterful!






1. Inside Out – Pete Docter
For working harder than any one person on any single film this year. And yet, his creation feels as if it were fully-formed from his head immediately. He does what only the bravest directors can do: he never calls attention to himself but rather lets his characters tell his story. Quick Shoutout: Co-Director Ronnie Del Carmen, one of the greatest story men in animation.





Runner Up: Anomalisa – Charlie Kaufman, Duke Johnson



To return to the main awards page, CLICK HERE.



The 2015 Cinema Touch Awards - PICTURE

by
Julien Faddoul






5. American Ultra
For being my critical baby. I spent a great deal of time online defending this film to those who, to be a bitch, "just don't get it." In a year filled with great romances, this was one of the best and, maybe, 20 years from now, will be seen as a great work.







4. It Follows
For being, although absurd in detail, a stressful, ingeniously constructed horror film, creating a palpable sense of unimaginable dread with very little.








3. Mad Max: Fury Road
For an astonishingly assured plunge into dark, unadulterated psychedelic action-cinema; a plunge Hollywood should take more often. What a lovely day!








2. Carol
For an icy, contemplative, brilliantly written romance with an almost total lack of sentimentality. Its impeccable mix of lensing, mise-en-scène and performances creates a vivid web of dexterity rarely seen on screen. Virtually every shot and every gesture is so deeply felt as to be utterly penetrating.







1. Inside Out
For a true masterwork. A film of immense wisdom and vision and one that, like all great films, can change the way we interact and empathize with one another.






My Top Ten

6. The Look of Silence
7. Creed
8. Anomalisa
9. Buzzard
10. The Diary of a Teenage Girl


Honorable Mentions (Alphabetical)

Me and Earl and the Dying Girl
Room
Steve Jobs
When Marnie Was There



Films I'm Sad to Have Missed

Amour Fou
Ballet 422
Beloved Sisters
Black Coal, Thin Ice
Blackhat
Blind
Bone Tomahawk
Farewell, Herr Schwarz
The Forbidden Room
In My Father's House
The Keeping Room
The Kindergarten Teacher
Life
Li'l Quinquin
Lost River
Man from Reno
A Midsummer's Fantasia
Mississippie Grind
Mustang
The Overnight
The Princess of France
Predestination
Queen and Country
Queen of the Desert
Raiders
Respire
La Sapienza
The Search
The Second Mother
71
She's Funny That Way
Slow West
Spring
Strange Magic
Two Men in Town
Victoria
The Voices
Welcome to New York
What We Do in the Shadows
Wild Canaries


Films I'm REALLY Sad to Have Missed

The Assassin
James White




To return to the main awards page, CLICK HERE.


Thursday, February 18, 2016

The 15 Worst Films of 2015

by
Julien Faddoul


Welcome to the bottom of the barrel of 2015. Of all the films I sat through in this past year, these were the 15 worst. Each film is accompanied by a link to my original review.

Enjoy, but please under no circumstances see these movies if you haven’t already.














15. Alvin and the Chipmunks: The Road Chip

I called this film in my review a punishment no kid deserves no matter how insubordinate. Judging by a drop in box office numbers, this should hopefully be the last one.


Thursday, February 11, 2016

Crisp Criticism - "Deadpool", "Zoolander No. 2", "Anomalisa", "The Choice"

by
Julien Faddoul












Deadpool

A former Special Forces operative turned mercenary is subjected to a rogue experiment that leaves him with accelerated healing powers, adopting the alter ego Deadpool.
A film that is no different or better than the schlock it ridicules, except here the budget is lower, the characters are dumber, the situations are flimsier and the comedy is more impotent. An outstanding example of Hollywood smugness.

d – Tim Miller
w – Rhett Reese, Paul Wernick   (Based on the Character Created by Rob Liefeld, Fabian Nicieza)
ph – Ken Seng
pd – Sean Haworth
m – Junkie XL
ed – Julian Clarke
cos – Angus Strathie

p – Simon Kinberg, Ryan Reynolds, Lauren Shuler Donner

Cast: Ryan Reynolds, Gina Carano, Morena Baccarin, Taylor Hickson, Brianna Hildebrand, T.J. Miller, Ed Skrein, Andre Tricoteux, Jed Rees, Leslie Uggams, Karan Soni, Paul Lazenby, Stan Lee

Thursday, February 4, 2016

Crisp Criticism - "Trumbo", "45 Years", "Experimenter", "Buzzard"

by
Julien Faddoul












Trumbo *

The career of screenwriter Dalton Trumbo is halted by a witch-hunt in the late 1940s when he defies the anti-communist HUAC committee and is blacklisted.
Fairly flat and rudimentary retelling of Trumbo’s tribulations, which mostly finds fun in mocking the Hollywood system of the time.

d – Jay Roach
w – John McNamara   (Based on the book by Bruce Cook)
ph – Jim Denault
pd – Mark Ricker
m – Theodore Shapiro
ed – Alan Baumgarten
cos – Daniel Orlandi

p – Kevin Kelly Brown, Monica Levinson, Michael London, Nimitt Mankad, John McNamara, Shivani Rawat, Janice Williams

Cast: Bryan Cranston, Diane Lane, Helen Mirren, Elle Fanning, Louis C.K., John Goodman, Michael Stuhlbarg, David James Elliott, Roger Bart, Mark Harelik, John Getz, Alan Tudyk, James DuMont, Richard Portnow

Tuesday, February 2, 2016

Crisp Criticism - "Spotlight", "Concussion", "The Look of Silence"

by
Julien Faddoul












Spotlight **

The true story of how The Boston Globe uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese.
Bulky, engrossing, somewhat televisual delineation on the importance of brilliant journalism that, despite all its merits in both its prose and performance, would have been even stronger with a more vivid cinematic trajectory.

d – Tom McCarthy
w – Tom McCarthy, Josh Singer
ph – Masanobu Takayanagi
pd – Stephen H. Carter
m – Howard Shore
ed – Tom McArdle
cos – Wendy Chuck

p – Michael Sugar, Steve Golin, Nicole Rocklin, Blye Pagon Faust

Cast: Michael Keaton, Mark Ruffalo, Rachel McAdams, John Slattery, Brian d'Arcy James, Liev Schreiber, Stanley Tucci, Billy Crudup, Jamey Sheridan, Len Cariou, Paul Guilfoyle, Elena Wohl, Maureen Keiller, Neal Huff, Michael Cyril Creighton, Richard Jenkins, Gary Galone