by
Julien Faddoul
5. The
Grandmaster – William Chang
For
cementing his stability as the brilliant artist he is, tackling the wuxia genre
with such poise it seems effortless.
4. The
Croods – Christophe Lautrette
For visually
establishing what begins as curiosity and finishes as yearning.
3.
The Great Gatsby – Catherine Martin
For,
as always, being the best at deconstructing the form. And it is dazzling!
2.
Her – K.K. Barrett
For
a deft exploration of the semi-conscious. The fluency with which Los Angeles
and Shanghai harmonize together is astounding.
1.
The Wind Rises - Yôji
Takeshige
For
once again transporting us to a world of such beauty, brilliantly recreating
Showa-era Japan and changing back and forth between realistic and non-realistic
designs.
Runner
Up: I’m So Excited – Antxón Gómez
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