by
Julien Faddoul
5. To the
Wonder – Emmanuel Lubezki
For being
the crème de la crème at surveying the life within the frame. He is the
deep-focus master.
4. Prisoners
– Roger Deakins
For images so
beautiful, it almost made me believe the movie was good.
3.
Inside Llewyn Davis – Bruno Delbonnel
For
a masterclass in weather illustration, lit with a trenchant eye.
2.
No – Sergio Armstrong
For
balancing the jarring and the stirring. Every shot is both a media dissection
and cinematic effervescence.
1.
Gravity – Emmanuel Lubezki
For
tackling every challenge head-on, and for understanding that Cuaron needs him
there not to parade, but to spawn.
Runner
Up: Faust – Bruno Delbonnel
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