5. Ida – Ryszard Lenczewski, Lukasz Zal
For
a striking, concise, exquisitely composed film (in Academy ratio).
4. The Immigrant – Darius Khondji
For
rendering classical images even more monumental and painterly than the works
that inspired them.
3. Birdman (or The Unexpected Virtue of Ignorance) – Emmanuel Lubezki
For lighting the hallways of the St. James Theatre with such authenticity.
He's cinema's most reliable musketeer.
2. Listen
Up Philip – Sean Price Williams
For making everything
(and everyone) seem so celestially out of place through saturated colors and
16mm film.
1. Under the Skin – Daniel Landin
For otherworldly illustrations that somehow seem all too real.
As I walked out of the cinema, I became instinctively frightened by the visual
of every crowd I saw.
Runner
Up: Mr Turner – Dick Pope
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