by
Julien Faddoul
5. Certain
Women – Kelly Reichardt
For her best film yet. With
each story only having the faintest of connections, it is typical of its
director’s quiet, academic, observational approach.
4. Love &
Friendship – Whit Stillman
For an ideal matching of
filmmaker and novelist that accentuates the wit of both parties to create a
pleasant inspection on conceitedness.
3. Sully – Todd Komarnicki
For a quiet procedural of a
real event that works more like an alienating meditation on duty and strategy.
2. Moonlight –
Barry Jenkins
For a three-act inspection
on a vivid America, with each character brimming with clarity.
1. Indignation
– James Schamus
For undertaking the
formidable and ultimately hopeless task of adapting Roth for the screen, and
coming closer to success than any one has before.
Runner Up: Julieta –
Pedro Almodovar
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