by
Julien Faddoul
5. Silence – Dante Ferretti
For those vast yet
confining spaces of the time that always feel a little disconcerting.
4. The Love
Witch – Anna Biller
For her staggering commitment
to detail, whether you notice it or not.
3. Arrival – Patrice Vermette
For some truly iconic
imagery, including a first human-to-alien encounter that is visually absorbing.
2. Hail,
Caesar! – Jess Gonchor
For mashing together
musicals, westerns, film noir and even sophisticated comedies of manners so
acutely.
1. Kubo and
the Two Strings – Nelson Lowry
For visuals that are unparalleled:
a sword battle with a giant Gashadokuro, an underwater escape surrounded by
floating eyeballs or a climactic stand-off with a serpent-like moon beast, each
sequence is as breathtaking as the last.
Runner Up: High
Rise – Mark Tildesey
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