by
Julien Faddoul
5. Jackie – Sebastián
Sepúlveda
For juggling many themes
and different time-frames all superbly.
4. The Love
Witch – Anna Biller
For rhythms that pierce
throughout the film’s core as she weaves seamlessly with her stylistic
application.
3. La La Land
– Tom Cross
For pure infectiousness. Those
frustrated by the lack of new aesthetic ideas should be persuaded by the fierce
commitment to bygone ones.
2. Sully – Blu Murray
For helping his director
create one of the "good ones". It's riveting and taut.
1. OJ: Made
in America – Bret Granato, Maya Mumma,
Ben Sozanski
For a masterpiece of film
editing, the film weaves all these elements together into a gripping,
spine-tingling non-fiction thriller without a single wasted second of its
imposing runtime.
Runner Up: Moonlight – Joi
McMillon, Nat Sanders
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